JAZZBO NOTES HIGHLY RECOMMENDED RECORDING
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I’ve got to admit, I’ve been sleeping on Terence Blanchard. I had the impression that he was a traditionalist in the Wynton Marsalis mode. Guess not.
Flow Part 1, starts out with a tasty groove, courtesy of Derrick Hodge on acoustic bass and drummer Kendrick Scott. Blanchard’s head plays around the […]

WORTH A LISTEN
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Pianist Makoto Ozone can be a problematic musician. On the one hand, he has an unquestioned wealth of musician scholarship and his technique is hard to fault. On the other hand, he can fall prey to cuteness at times. On the other hand, sometimes his ambition exceeds his grasp.
The last time I […]

JAZZBO NOTES RECOMMENDED RECORDING
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Oftentimes, superstar groups don’t really live up to their billing — too many egos jostling for space. The same is true for double CDs. How many concepts really require 150 minutes of music? To some degree, the second truism applies to Miles From India.
The concept of Miles From India has several […]

JAZZBO NOTES ESSENTIAL RECORDING
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Outbreak may have drummer Dennis Chambers’ name above the title, but this is really producer/keyboardist/arranger/composer Jim Beard’s date, and that’s just fine. Of course, Beard has designed the album to showcase Chambers’ awesome drum playing, and that’s one of the major pleasures of Outbreak, but only one among many.
Beard has recruited […]

JAZZBO NOTES RECOMMENDED RECORDING
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Too often on recordings that attempt to fuse Brazilian rhythms with jazz, one or the other element tends to get shortchanged. Either the rhythms are overly simplistic, or the improvisations substitute scale running for substantive improv. To some extent, that’s the case with Samba Jazz In Black And White.
True, reed player […]

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I went to see the Realistic Orchestra on a lark, really. They were playing at Yerba Buena Gardens for free on a Saturday, and I happened to be in the area with my wife, shopping. I wasn’t even really planning to write a review, but I was fairly impressed.
The first thing that struck me […]

WORTH A LISTEN
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In some ways, Bump is reminiscent of many other John Scofield dates. This was far from the first time he explored New Orleans funk, and it would not be the last.
The difference here is that, despite a fairly large cast of musicians (bassists Tony Scherr, Chris Wood, and David Livolsi; drummers Eric […]

JAZZBO NOTES RECOMMENDED RECORDING
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When I got Bobby Broom’s new CD Plays For Monk in the mail, I was intrigued. As far as I know, he’s the only guitarist that’s done a date almost entirely made up of Monk compositions. And Broom was doing the date as a trio!
On the face of it, that’s pretty […]

JAZZBO NOTES HIGHLY RECOMMENDED RECORDING
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It would be tempting but reductive to categorize The Infinite as Dave Douglas’ take on Miles Davis on the cusp of fusion, as fellow critic Dave Lynch does on allmusic.com. I understand the temptation. It’s always easier to talk about a recording if you have an overarching metaphor, a way […]

JAZZBO NOTES ESSENTIAL RECORDING
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Jim McNeely makes most jazz arrangers seem like complete fuddy duddies. He routinely takes other people’s compositions and turns them inside out, invariably finding new things to say. His own compositions are unique. McNeely sounds like no one else.
Take The Fruit, a composition by Bud Powell. McNeely starts off with a […]