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I was pretty excited when I picked up The New Standard. I mean, talk about a dream team: Herbie Hancock, Michael Brecker, John Scofield, Dave Holland, Jack DeJohnette, and Don Alias. It doesn’t get any better than that.
The challenge in a date like The New Standard comes in taking a batch of […]

JAZZBO NOTES ESSENTIAL RECORDING
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Double Edge was to be David Liebman and Richie Beirach’s last great duet performance together, meaning that it has their characteristic combination of uncommon lyricism and intense swing. After this, as a duo, they leaned too far into 20th Century classical music harmony for me, at the expense of communication.
If you’re […]

JAZZBO NOTES HIGHLY RECOMMENDED RECORDING
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I’ve got to admit, I’ve been sleeping on Terence Blanchard. I had the impression that he was a traditionalist in the Wynton Marsalis mode. Guess not.
Flow Part 1, starts out with a tasty groove, courtesy of Derrick Hodge on acoustic bass and drummer Kendrick Scott. Blanchard’s head plays around the […]

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Pianist Makoto Ozone can be a problematic musician. On the one hand, he has an unquestioned wealth of musician scholarship and his technique is hard to fault. On the other hand, he can fall prey to cuteness at times. On the other hand, sometimes his ambition exceeds his grasp.
The last time I […]

JAZZBO NOTES ESSENTIAL RECORDING
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I avoided Echoes Of A Friend for a long time because it’s a collection of McCoy Tyner piano solos, and because the friend Tyner is referring to in the title is Coltrane. Not that I have anything against Coltrane, but Tyner has referenced him so much elsewhere that devoting an entire […]

JAZZBO NOTES ESSENTIAL RECORDING
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Outbreak may have drummer Dennis Chambers’ name above the title, but this is really producer/keyboardist/arranger/composer Jim Beard’s date, and that’s just fine. Of course, Beard has designed the album to showcase Chambers’ awesome drum playing, and that’s one of the major pleasures of Outbreak, but only one among many.
Beard has recruited […]

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Chick Corea is such a nice guy that sometimes I feel like a dick for criticising his music. On the insert for Change, he writes in his dedication: “To The Idealist, the Dreamer…To those who persist towards their goals of Betterment and Beauty…To those who truly Help, To the Artist in all […]

JAZZBO NOTES RECOMMENDED RECORDING
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Too often on recordings that attempt to fuse Brazilian rhythms with jazz, one or the other element tends to get shortchanged. Either the rhythms are overly simplistic, or the improvisations substitute scale running for substantive improv. To some extent, that’s the case with Samba Jazz In Black And White.
True, reed player […]

JAZZBO NOTES ESSENTIAL RECORDING
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You might think a release consisting of almost nothing but variations on the blues could get a little monotonous, but in the case of Coltrane Plays The Blues, it’s the opposite.
Coltrane finds a variety of ways to play the blues: major blues, minor blues, differences in tempo, instrumentation, and rhythmic approach. […]

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In some ways, Bump is reminiscent of many other John Scofield dates. This was far from the first time he explored New Orleans funk, and it would not be the last.
The difference here is that, despite a fairly large cast of musicians (bassists Tony Scherr, Chris Wood, and David Livolsi; drummers Eric […]